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Bling, Bling, Bling Went the Stage Show

By Bobbie Katz

 

EXCLUSIVE TO VEGASINSIDETIPS

 

“Toni Braxton: Revealed” is a dazzlingly dressed musical and visual journey through the six-time Grammy Award-winning artist’s recording career, family and private voyage.

 

But underneath it all, there’s another up-close-and-personal element that’s key to the style of the entertainer – her show at the Flamingo is giving Braxton a chance to finally come out of her closet.


“Revealed” opens the door to a public view of Braxton’s unique sense of fashion as well as to the woman inside the clothes. Each of the garments she wears on stage, created by noted L.A. designer Anthony Franco, is crafted to expose another side of her and to tell her story. In tandem with that, each song is dressed in its own stylish vignette and as the moods within the show change, so does Braxton’s image and outfits.


“Tony is a really hot new designer,” says Braxton. “Eva Longoria, Tyra Banks and Avril Lavigne are some of the celebrities wearing his designs and he just did the costumes for Christine Aguilera’s new video. I knew that I wanted to have a fashion show within my show and I toyed with the idea of putting it in different places, at the beginning, middle or end. Ultimately, I thought that it would be really creative to put it at the end – just when the audience thinks the show is over, there’s a fashion show. It gives me an opportunity to show off Tony’s clothes and my nine dancers.”


It goes without saying that that opportunity occurs throughout the entire flowing production, for which Braxton actually worked with Franco on the costumes. He did the designs on a sketchboard and she made sure that they were show-ready, meaning that she would be able to accomplish her necessary goal of being a quick-change artist, getting in and out of the clothes as fast as possible.


“We had to try to incorporate things that would still allow the designs to look as incredible as they were,” Braxton explains. “So instead of 50 gazillion snaps, I asked Tony to give me two snaps and Velcro on each one. He said, ‘Oh god, Velcro?’ That’s a bad word to a designer. He was so upset about it that I thought he was going to have a nervous breakdown. I asked him how I was going to get in and out of the next outfit if there were 12 snaps on a jacket. He agreed to settle for less snaps and I said again, ok, how about 2 snaps and some Velco, and he finally agreed. He was wonderful to work with.”

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As the sultry singer performs a diverse set list that fuses her energetic hits such as “Spanish Guitar,” “Please” and Trippin’” with her heartfelt ballads including “Unbreak My Heart” and “Breathe Again,” her costumes range from a seductive flamenco-style dress to vintage-inspired couture. One outstanding garment features more than 11,000 Swarovski crystals and 25,000 decorative stones, for which the hand-beading process alone took 120 hours to complete.


And because every well-dressed woman needs accessories to totally shine, Braxton gives herself some extra sparkle by virtue of a 650-K white gold microphone, created by Giantto Group, that consists of 6,500 diamonds. It even comes with its very own security guard.


“I wanted a microphone and I didn’t want a rhinestone one,” Braxton laughs. “I wanted a diamond one. My manager kind of looked at me and said, “Ooo-kay.” I asked him to see how much one cost and he came back and told me one million dollars. I said let’s do it. If he had told me a million and a half, I might have said no. I still don’t know why I said yes but I did.”


There’s no doubt that, with or without the microphone, Braxton looks like a million dollars in her costumes, which admittedly takes some work. When it comes to keeping in shape, it doesn’t hurt that Braxton has two small sons that she says she chases all day long. But the star also works out, one of the reasons being that she discovered a couple of years ago that she had heart disease.


“I was only in my 30’s when I found out I had Periocarditis, which is like a virus of the heart,” Braxton reveals. “I was devastated. I immediately thought of the movie ‘Beaches’ in which Barbara Hershey’s character had heart disease. But the doctors told me that I could get it under control with medication for about a year, then I’d be good to go. It’s just that when I go to the dentist, I have to be on antibiotics or take an anti-inflammatory beforehand and if I catch cold, I have to be careful so that it doesn’t turn into a virus and attack my heart again. I’m actually okay but I have to work out – I want to do everything I can for longevity purposes. Cardio-vascular exercise is very important.”


“I’m also eating better,” she adds. “I still have my pizza and burgers here and there – probably more than I actually should. But I’m eating much healthier overall, getting my veggies and asparagus and organic stuff. So I could be around to my 80’s or 90’s with my lifestyle, and I’m happy about that.”

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What is revealed from talking to Braxton is the entertainer’s inner strength, which has been tested many times in ways besides physically. She says that it has been her husband, family and children that have helped her through the rough times and that when she sees her kids, it gives her the will to survive and keep going. She notes, however, that sometimes when she looks back before she had her sons, she wonders how she got through things like her public 1998 bankruptcy, which was extremely embarrassing and emotionally draining.


“I had to declare bankruptcy,” she emphasizes. “I had to file because when I got my royalty statement from my ‘Secrets’ album, which sold 10 million units, it was for less than $2,000. No one really talks about the details of my bankruptcy because the truth is that I really didn’t make any money. I made like 34 cents a record. The rumor was that I spent too much money – well, I guess I did because I didn’t expect my royalty check to be under $2,000.”


Braxton explains that when a new artist is signed to a label, the record company makes the investment in that artist and the record being released. Still, she says, she didn’t have the best contract and adds that the same thing happened to labelmates TLC, who ended up making 32 cents a record.


“If the company spent $20 million promoting my product, there was no way I could get out of the red at 34 cents a record,” she relates. “What further put me into debt was touring. Even though I was making money, I was putting it right back into the show because that’s what you do your first time out. So I decided to file bankruptcy.”
Being open and honest about things has been cathartic for Braxton. The daughter of a preacher (who also has her two sisters singing backup in her show), she admits that she has never had a lot of things to hide nor is she the kind of person who attracts tabloid attention, which is by her own choice.


“I don’t care if people know that I had my boobies or my nose down,” she claims matter-of-factly. “I’ll tell them if they ask. These are just things I do to maintain myself and to feel better about myself so I can’t really feel ashamed of those things. Being in the public eye doesn’t bother me because the perks are so great. The press doesn’t bother me either. I don’t have people hiding in my bushes; the only time that happened was at my wedding. But I don’t have the kind of lifestyle where people are asking, ‘Is she drinking; is she on drugs?’ I’m really kind of a straight-laced person when it comes to that stuff.” Being a preacher’s kid, I always lived with limitations, whether I liked it or not.”


Braxton describes herself as strong;, silly; fun-loving; very business-savvy, having learned her lessons, and a great cook. She is proudest of being a mom and most disappointed in the record business, which she says cares more about making money than it does about talent. Her challenges now are maintaining her career and being the best that she can be in her show. It is live performance that gives her adrenaline rush and she feels fortunate to have her show at the Flamingo, having taken time off from the commercial side of the business to raise her family and appear on Broadway, starring in both “Beauty and the Beast” and “Aida.”.

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“I’m very fortunate to have my spot at the Flamingo,” Braxton enthuses. “Sometimes when you take a break to be a mom, you try to come back and find that not only is your spot gone, but there’s no spot for you at all. I’m grateful that my fans are still supporting me and I want my audiences to leave my show having had a great time and feeling that I revealed things about myself that they didn’t know.”
And mentioning that she was dressed to thrill wouldn’t upset her either.

ADDITIONAL ARTICLES
BY BOBBIE KATZ
HERE
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