Vegas Inside Tips | Cover Story

I first met M and B

Alice Cooper (or as his friends call him, Vinny) back in Boston in the late 70's. He was funny, kind and extremely accommodating. I had brought my younger cousin Cindy with me, as she was a huge fan and couldn't wait to see his show. I took her backstage and I went into his dressing room, which was the Boston Celtics locker room, where he was changing out of his ripped costume, but still wearing his trademark make-up.

We chatted for a while, I did a short interview with him for a local radio station, then I showed him some magic. He loved the magic, wanted to see more. We spent about ten minutes there, and I concluded my impromptu performance by pulling his signed card from out of my mouth. He roared.

We walked through the doors arm in arm, and I thought my cousin would literally faint when she saw us.

He shooker her hand, chatted with her a bit, signed autographs for her, posed for pictures, and I showed him a few more magic tricks. He even gave me a quote to use in my promotional materials. He was really a great guy and a huge contrast to the wildman he plays onstage. He was a total gentleman, if you can believe that!

The triumphs and tribulations heard on Alice Cooper's albums continue to thrill millions all over the world to this day. Indeed, no better example of Alice Cooper's timelessness can be found than in the fact that he still sings "I'm Eighteen" with all the passionate fervor and belief that he first brought to the song. For as long as there is a part of us that will always remain 18, we will all have far more in common with Alice Cooper than we might realize--or dare to publicly admit.

His upcoming shws at the Orleans this coming weekend are the most bizzare in the history of the showroom that is more accustomed to Neil Sedaka and Frankie Avalon. It should be a wild weekend, and one that will no doubt shock many of the older, conservative audience members who may not even know what they are in for when Alice hits the stage with his wild rock and roll show. There won't be any biting the heads off of chickens or guillotines in this outing, but anything else can happen, so look out...

While filming a promotional film on July 29 for his new "Along Came A Spider" (SPV) album at Linda Vista Hospital, an abandoned facility in East L.A., a 5.4 earthquake shook Los Angeles to its very core. He happened to be choking a nurse at the time. The 5.4 quake was the strongest since the devastating 1994 Northridge quake, shaking Alice, the band, and everyone on the set (including director Piggy D) into a stunned silence. The epicenter was in nearby Chino Hills.

“The floor started moving. Whoa, this is more powerful than I thought! I hope they keep it! You can’t get special effects like that,” enthused Cooper, who had just wrapped production on the film that features lengthy portions—up to two minutes each—of “Vengeance Is Mine,” (In Touch With) Your Feminine Side” and “Killed By Love,” all from the new album.

The current "Psycho-Drama" tour—approximately 100 shows from July 5 to December 4— including this wierd booking at the Orleans, is still as physical as ever. In Redmond, Oregon last week, fans watched fascinated as Alice took a violent fall. Few noticed just how crushing the thud was. Most figured it was part of the show. Alice, hurting, continued with the performance and with a few performances after that, negating any suggestions to get himself checked out. Finally, giving in to those whose job it is to keep him healthy, he learned he had broken a rib and suffered ligament damage. Doctors advised him it would take three weeks of inactivity and rest to fully recover.

Fat chance. Cooper continues on tour, unrestrained.

So, not an earthquake, not a cracked rib, not ligament damage, can stop Alice from entertaining his loyal fans.

The show must go on indeed.

Without Alice Cooper, there might never have been the NY Dolls, KISS, Marilyn Manson, Nine Inch Nails, Motley Crue, Slipknot or Rob Zombie ... maybe not even David Bowie, or at least not Ziggy Stardust. The iconic hard rocker, who literally invented the concept of the rock concert as theater, returns to what he does best on Along Came a Spider (SPV Records), the 25th studio album of a long and illustrious career which began in 1969 with the release of Pretties for You on Frank Zappa's Straight label.

From his first solo album, 1975's Welcome to My Nightmare through releases such as 1994's The Last Temptation and 2000's Brutal Planet, concept albums have been a specialty of Alice's, and this time he spins the story of a serial killer who imagines himself as the most predatory of all insects, trapping his prey, killing them, then enveloping his eight victims in silk, taking a leg from each of them. A web of intrigue, wrapped around some serious hard rock.

Co-produced by Alice with the team of Danny Saber [Black Grape, Rolling Stones, Ozzy Osbourne, David Bowie] and Greg Hampton [Bootsy Collins, Buckethead], songs like the opening "I Know Where You Live" and "Vengeance Is Mine," featuring a snaking metal guitar solo from Slash himself, evoke such classic Alice anthems as "Is it My Body," and "Under My Wheels" along with landmark albums like Love It To Death, Killer and School's Out. There's also a patented rock ballad in the tradition of "Only Women Bleed" and "I Never Cry" with "Killed by Love." Along Came a Spider features Cooper's touring band of drummer Eric Singer, bassist Chuck Garric and guitarists Keri Kelli and Jason Hook. Songwriting was handled by Alice with Saber, Hampton, Garric, Kelli and a few friends including former band member Damon Johnson and Warrant's Jani Lane.

Along Came a Spider has elements of serial killers such as Hannibal Lecter, Son of Sam, Ted Bundy, Jack the Ripper, Sweeney Todd and Psycho's Norman Bates with Alice himself taking the central part, acting out the murderer's diary -- challenging reality by Alice Cooper inhabiting the identity of a serial killer who imagines himself a spider. As he has in the past, Alice chronicles a classic battle between good and evil, with inevitable results.

"Evil should get punished," says Alice. "It should never win. And that, to me, is what's most satisfying. I may love Darth Vader when I watch Star Wars, but I feel relief when he finally gets what's coming to him."

Finally, though, it is beauty that defeats the beast, as the Spider falls in love with one of his intended victims in "The One That Got Away" and "Killed by Love," before a surprise twist ending worthy of The Twilight Zone.

"Every album I've ever done has been guitar-driven rock & roll," says Alice about Along Came a Spider's heavy metal edge. "Danny Saber and Greg Hampton are both guitar players. They know all the classic Alice music and began referencing favorite moments before we even started to record. That's when I first realized this could become a really special Alice album. I know my fans are going to love it."

The seeds for Slash's emblematic guitar solo on "Vengeance is Mine" were planted when Alice and Slash shared a dressing room at a NARAS event in L.A. earlier this year. Old friends who have known each other since 1986 and 1987 when a young Guns N Roses opened for Alice, and have appeared on each other's albums occasionally, the subject of the new album came up.

"I told him to play what he wanted to," says Alice. "And he came in and just blew it away. I had total confidence he would nail it. I wanted him to do what he does. And he did. It was a guitar hero moment."

Speaking of Guitar Hero, Alice acknowledges that the game of the same name has introduced a whole new generation to his music. "Every nine-year-old I run into tells me, 'I can play 'School's Out' and 'No More Mr. Nice Guy.'"

With a schedule that includes six months of every year on the road, Alice Cooper is bringing his own brand of rock psycho-drama to fans both old and new, and enjoying it as much as the audience does.

Known as the architect of shock-rock, Alice (in both the original Alice Cooper band and as a solo artist) has rattled the cages and undermined the authority of generations of guardians of the status quo, continuing to surprise fans and exude danger at every turn, like a great horror movie, even in an era where CNN can present real life shocking images.

With the Stones-like swagger of songs like "Catch Me If You Can" and "I'm Hungry," Alice plumbs his roots in twisted garage-band rock & roll. "Before we recorded a single note as Alice Cooper, we were playing stuff we learned from the Animals, the Yardbirds, the Who and the Stones in bars," he recalls. "There's always a lot of their influence in my songwriting."

Of course, if you ask Alice about HIS influence on so many artists, when you recount the story of how a young Johnny Rotten auditioned for the Sex Pistols by singing "I'm Eighteen," or you try to list the many bands that have followed through the doors he opened, you might get told "don't blame me for all of them!"

As he heads back out on the concert trail again this year now that "Along Came a Spider" is unleashed, Alice insists he's still motivated to continue touring and making albums, as well as making time for such side projects as Cooper'stown (his Phoenix-based restaurant/sports bar), his Alice Cooper: Golf Monster book, and his Nights With Alice Cooper nightly radio show, syndicated domestically and worldwide on over 100 stations.

"If there's nothing standing in my way, why not?," he shrugs. "It's what I love doing. And no one puts on a show as good as ours, musically and visually. I'm glad to be an elder statesman, and a healthy one. I look to guys like Ozzy, Iggy and Steven Tyler as fellow survivors. We're carnivores, not dinosaurs. We eat whatever bands are in our path."

With his influence on rock & roll long since acknowledged, there is little that Alice Cooper hasn't achieved in his remarkable career, including platinum albums, sold-out tours and any number of honors and career achievement awards.

Along Came a Spider, the 25th album of a remarkable career with uncountable highlights, may require him to make more room on the mantelpiece for yet more hardware.